mary tsiongas
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hunters

WHEN THE HUNTER GATHERS

When the Hunter Gathers explores hunting as a complex and increasingly marginalized human activity. By staging various mediated encounters with the rituals, methods, and emotional meanings of modern hunting, I examined one small (but loaded) piece of the experiential distance that separates us from the lives of our ancestors. Many images in the work, both moving and sculptural, centered on scenes of seeming tenderness between humans and their wild prey. These images, 'rescued' from hunting videos and the Internet, complemented images of me engaged in ritual archery, (experiential performative work I also did as part of this project). A central sculptural work, Hindsight, featuring a taxidermist's skeletal deer paused at an oil-dark pool, surrounded by a phalanx of arrows that had just missed their mark, expressed for me the core enigma, of this initially mournful body of work. In making this series of twelve multi-media pieces, I worked from the initial stance of grief, but eventually reached a new and unexpected place of empathy for both modern hunter and modern prey.

moving targets

2008 Video projections, sizes are variable. Using found hunting videos, the footage is digitally reworked into target shaped montages.

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3 videos

shoot

2005, LCD screen, digital video. Video shows artist shooting at the camera with suction tip arrows.  Three locations are interlaced in a target shape.  The video ends with the artist hitting the camera lens and the image going out of focus.

 

    

reawakening

2004, Touch-screen LCD screen. Viewer triggers off video sequence of a wound being healed and ‘unhealed’ when the screen is touched.

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hindsight

2005, installation with taxidermy deer manikin, wooden arrows, black Plexiglas. Deer form and arrows are reflected in the Plexiglas that is shaped like a liquid pool.

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targets

2005, targets consist of 24”x24” foam target, digital print of interlaced target image, and Plexiglas cover.  Image intertwines face of artist and one of four most hunted animals in the US.

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deer

2003, 24”x30”light box, Duratrans print.  Image is a video still from a hunting video.

    

western landscape

2003,  24”x36” lightbox, Duratrans print.
A digital image of a Bierstadt painting altered and  drained of color and light.  The  oval ‘moon’ shape in the image contains the whole painting in its actual colors.

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compulsion to repeat

2003, bear cub taxidermy manikin (2’tall), LCD screen, DVD of “How to Taxidermy a Bear” sped up and digitally manipulated.

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moving habitat

2005,  LCD screen, digital video.  Video images move between foreground and background, between small windows and full-screen,  between the moving living and the still dead. The piece references how moving images captivate us, how we get lost in the ‘woods’ and how one’s environment is always changing, how our  way of life changes the habitat for animals in the wild.

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when the hunter gathers

2003, portable DVD player, headphones, digital video, Plexiglas case.  Digitally altered images of hunters with one prey (and bighorn sheep) cycle on the video screen as an English lullaby sung by a child plays endlessly.

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